When writers discuss plot and pacing in narrative craft, especially in creative writing classes, we often talk about the curve of stories, the rise and fall in tension that characterises the most common story structures. Now usually, at least in my experience, that curve is not something a writer actively thinks about while composing a… Read more »
This article has been adapted from a talk delivered at the Pervasive Media Studio in Bristol (26/10/18), as part of the Friday lunchtime open talk series. This book was written in an urge to remember, reflect, mourn, overthink, celebrate, and seek meaning in the transparent, or otherwise irrational dynamics of human relationships; while extending… Read more »
Welcome to the second article in this series where we’re dissecting the multifarious entity of Digital Humanities (DH). To understand the context and scope of this series, and to consider the research questions upon which the investigation is based, please view the first article here. We’ll also be referring to my online survey Hands Up for Digital… Read more »
The great Festival is in two days. The weary pilgrim, teasing her larchwood beads through her fingers and fearing that she will never see the Temple hung lousy with banners, or smell the grilling of sacred cat-meat, wonders whether to take the lonely and ill-kept track through the deep-cut hills, or instead continue along the… Read more »
Last year, I was invited onto local radio to talk about a new category introduced to the Queensland Literary Awards: the QUT Digital Literature Award. I had been invited in my capacity as chair of the judging panel alongside two of the shortlistees: Mez Breeze and Jason Nelson. The first interview question was directed to… Read more »
Beginnings and developments In 2010 when we began this adventure into new forms of writing, we had no real idea what we would receive as entries. A colleague of mine, Sue Luminati, was creating the first (and as it turned out, only) Poole Literary Festival. Sue pulled off a great success with some terrific… Read more »
What happens when a story comes to you where you are reading? What new types of storytelling are made possible when narrative accesses technology to personalise itself to you? Breathe is a digital ghost story to be read on your phone. It tells the story of a young woman, Flo, who can communicate with the… Read more »
What follows is the text of a talk given by Dan Franklin for a seminar called Reading the Data: Informatics and Contemporary Literary Production, co-hosted by the Ambient Literature research project and Bath Spa University’s Centre for Cultural and Creative Industries The title of this talk is ‘Should a Great Writer ever feed the dolphins?’… Read more »
There were a lot of things to like about the Episodic conference that took place in London in October. Run by the Storythings team, it featured a range of interesting speakers working in podcasts, games, comics, and TV, an engaging host in Anna Higgs, and a lovely, friendly audience. I hope they do another one…. Read more »
All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better. This is the phrase. Adopted as a pep-talk by silicon valley Imagineers and tech startups, by creative writing students and university lecturers. It doesn’t mean what you think it does. It isn’t a hopeful phrase, isn’t an entreaty to… Read more »