In introducing my new novel, author Ryan O’Neill puts it most succinctly: This is an introduction to a novel you will never read. He adds hastily that he is referring not to the book in your hands, the one he hopes you’re about to begin, but the novel that inspired his words, the novel he… Read more »
Like all of us, March 2020 was a slow decline into horror at the news of Covid-19. While the British government dithered about what to do, I cancelled some events I’d been booked to hold in promotion of my novel The Blame Game. Quite frankly, I was afraid to travel (from Glasgow to various parts… Read more »
Matt Finch writes and helps communities, companies, and institutions around the world to do useful and surprising new things. His latest digital work is the interactive narrative, The Library of Last Resort. You have a varied background including a Ph.D. in Modern Intellectual History. How did you arrive at this nexus of strategy, storytelling and technology? I wrote… Read more »
Welcome to the fourth article in this series where we’re dissecting the multifarious entity of Digital Humanities (DH). To understand the context and scope of this series, and to consider the research questions upon which the investigation is based, please view the previous articles here, here and here. We’ll also be referring to my online survey Hands Up for… Read more »
Where Is The Bird? is the first augmented reality storybook to promote British Sign Language as a language for deaf and hearing children alike. Combining animated Augmented Reality (AR), video and audio with traditional print media, it endeavours to create an immersive multimedia storybook. By turning the pages the reader can find and ‘awaken’ magical… Read more »
The Writing Platform offers a unique environment to publish academic writing that focuses on non-traditional research outputs and non-traditional research methods. We publish at the intersection between technology and writing and support sharing knowledge that is underrepresented in traditional academic publishing. TWP connects you with your community of scholars and provides the capacity for high… Read more »
It’s been an exciting year for digital fiction: we saw a major work emerge in the mainstream, for the mainstream, and turn into a viral hit – Jon Bois’s 17776: What Football Will Look Like in the Future. The mobile digital fiction platform oolipo was launched, and Dreaming Methods and Mez Breeze’s All the Delicate… Read more »
There were a lot of things to like about the Episodic conference that took place in London in October. Run by the Storythings team, it featured a range of interesting speakers working in podcasts, games, comics, and TV, an engaging host in Anna Higgs, and a lovely, friendly audience. I hope they do another one…. Read more »
What makes a city the kind of place where you can grow older and be an older person? No Bindings is collaborating with Bristol Ageing Better (BAB) to explore the possible answers to this question! No Bindings is a project, started in Bristol, by Lily Green. Lily is a resident of the Pervasive Media Studio… Read more »
The Writing Platform offers a unique environment to publish academic writing that focuses on non-traditional research outputs and non-traditional research methods. We publish at intersection between technology and writing and support sharing knowledge that is underrepresented in traditional academic publishing. TWP connects you with your community of scholars and provides the capacity for high impact… Read more »