Live theatre performance in XR (extended reality), which includes both Virtual Reality (VR) and Augmented Reality (AR), is a rapidly growing field of digital drama that sits at the convergence of immersive theatre and interactive games design. While a number of theatre companies have adapted their existing work for VR, (notably the Royal Shakespeare Company… Read more »
Article Archive: Featured
Can you experience a lyrical situation and a poem with your own body?
Agnieszka Przybyszewska, Weronika M Lewandowska
Weronika Lewandowska and Agnieszka Przybyszewska in conversation: on creating poetry in VR “You are not supposed to call it a subject, but an avatar. There’s no reality being portrayed, no setting, but a simulation!” That is what Polish poets from the Rozdzielczość Chleba group, experimenting with new technologies, proclaimed. Imagine, then, that instead of reading… Read more »
Embracing the unknown in The Under Presents
Kath Dooley
Have you ever felt your skin prick up as you walked into a foreign environment? Throughout my life there have been times where I’ve entered an unknown venue, be it when exploring the world as a solo traveller, or starting a new job. The mixture of excitement and anxiety that I’ve associated with an entry… Read more »
Theatricalizing the metaverse through VR
António Baía Reis
Dear metaverse diary, as I sit down to pour out my thoughts and try to find the exact place within my intricate mind that stores all my experiences related to live acting in virtual reality (VR), and, more specifically, my combined role as a VR actor, stage director and scholar within the XR theatre collective… Read more »
Storytellers in Wonderland: On telling stories with AR and VR
As the concept of the metaverse and the future of VR and AR are being discussed ever more frequently, we decided to ask what such innovations mean for storytellers and explore the idea of creating stories with augmented and virtual reality technologies. We began by asking ourselves a series of questions. Can we read in… Read more »
There Is No ‘I’ In Island
Donna Hancox
In 2021, I attended the 10 Days on the Island festival in lutruwita/Tasmania as part of a research project exploring the social impact of the creative arts in Regional Australia. On my second day at the festival, I went to a small workshop Reaching Global Audiences with Local Storytelling led by Catherine Pettman from Rummin… Read more »
Changing the Record: Thoughts from a European music and migration project
Abigail Gardner
Think of a song or piece of music that is important to you. What happens when you hear it? Does it take you somewhere else and bring you back? Are you saddened by it? Does it transport you away from the everyday? What is it about this song that is important? This last question lies… Read more »
Transmedia Storytelling and Activism
Donna Hancox
2020 and 2021 have left all of us (except, perhaps, Elon Musk and Jeff Bezos) living with more uncertainty and vulnerability than we have allowed ourselves to admit previously. Like many, I have the very strong sense that a veil has been lifted, and we are in the midst of a series of societal reckonings… Read more »
The radical roots of DIY zine-making
Grace Kress
This article was previously published as a blog post on Bristol & Bath’s Creative R&D Amplified Publishing pathfinder website. Home of rebels and revolutionaries, Shelby x Studios is an online platform to connect with other people who want to create a world with community care at its core. By imagining the world without binaries and… Read more »
Listening in to detention during lockdown
Dylan Bird
It’s August 2020 in Melbourne, Australia – roughly a month into what would become one of the world’s longest COVID-19 inspired lockdowns, at 111 days. I’m out for my daily run along the Merri Creek, a serpentine trail winding through the city’s north. Normally quiet at this time of the week, it’s bustling with people,… Read more »