Multiple recent digital narrative works utilise recombinant poetics. Yet such an approach to fiction is not dependent on code. Multiple examples predate the computer. In Electronic Literature (2019), Scott Rettberg argues that the study of digital literature ‘not only takes us forward to explore new horizons but also on a retrospective journey that can lead… Read more »
This is an abridged version of a keynote speech delivered at the MIX Conference 2019 With the increasing convergence between creative industries and artificial intelligence, there is an emerging misunderstanding of how the tech world sees creativity, and this is important for publishers, authors and the broader creative industries. To frame this, it is important… Read more »
Excited by the possible storytelling functions and forms that digital technology enables, I set out to foster meaningful encounters between author and audience in a digital narrative project titled We See Each Other. I had never considered the possibility of an invisible third party shaping these encounters, but they were there, ever-present and impossible to… Read more »
It was early in 2013 and really I’d had enough. A novel of mine had come out in 2011, and another in 2012, and now I was supposed to sit down and start another? I bridled. The solitude of novel writing, the grating solipsism of the form – strapping yourself alone to the industrial word… Read more »
As a researcher, my focus is on critically examining digital literature—texts and writing practices where digital media is rendered integral to the experience of literary or poetic forms. In recent years, I have been working so that my research manifests not just at the level of written critique, but also through creative practice, placing my… Read more »
The following is an excerpt from Amaranth Borsuk’s The Book, part of the ‘Essential Knowledge’ Series from MIT Press. This chapter explores the various ways writers and artists for more than a hundred years have approached the book as an object and a structure that can be cut up and rearranged as early examples of ‘digital’… Read more »
Way back in the wilds of the year 2008, artist-extraordinaire James Morgan and I engaged in an animated discussion about Augmented and Virtual Reality. At that time James and I were collaborators-in-crime in the Third Faction Collective, a group of digital artists intent on constructing game interventions in Massively Multiplayer Online Spaces. During this discussion,… Read more »
Collecting and analysing the data we generate every day—whether it’s how much we exercise, changes in our heart rate, even how much we use our devices—have become indispensable tools to improve health and wellbeing. Can a similar approach to other data we generate—say when we write—bring benefits to our creative lives? Prolifiko has just launched… Read more »
There was nowhere to park. As if it wasn’t daunting enough to throw myself into the alien world of tech-heads and program-people, now I was late. I found the Loft – a boutique entertainment venue on Plymouth Sutton Harbour – and launched myself up the stairs, down a deserted corridor and towards the sound of… Read more »
Origins The Poetry Map has its origins in a feature on Facebook’s homepage by which users could list countries they had visited and see these appear as pins on a map. While this was a good way of ‘showing off’, it also got me thinking about the places I had lived in the course of… Read more »