“[…] the special dialectic of the love letter, both blank (encoded) and expressive (charged with longing to signify desire)” (Barthes, p. 157) I am a performance practitioner and researcher, interested in archives, personal collections, and spoken histories. My work is immersive and allows for audience participation through using audience stories as the main focus of… Read more »
The Editors of The Writing Platform encourage submission of short academic research papers that are accessible to a more general audience of writers and artists. These papers can be about creative practice, and practice-based research across a broad range of subject areas. If you are interested in submitting a paper for us to consider for… Read more »
The interior northwestern United States is remote: impenetrable mountains, untamed rivers, and disorienting prairies paired with unpredictable and extreme weather. Once an intricate patchwork of territories occupied by Nez Perce, Salish, Blackfeet, Pend O’Reille, and Sioux, the region has undergone a post-colonial identity shift to that of ranching and hydropower, agriculture and wilderness playground. In… Read more »
…Writing a Transgender Character as a Political Act, and the Linguistic Potential for Change. The personal, according to Carol Hanisch, is political[i]. Which partner, in any relationship, makes the tea is political. Who loads the washing machine and puts it on to cycle is political. Who – literally – wears the trousers is political. To… Read more »
I began my PhD in Creative Writing in the autumn of 2012 in the afterglow of the hugely successful London Olympics and Paralympics and on a wave of hope of empowerment and equality for disabled people. However, in reality, the situation for disabled people in Britain was becoming increasingly difficult and has continued to worsen… Read more »