Walking through a city without direction and following its sounds, may uncover unknown territories of urban experience. Without a concrete navigational strategy, the listening trail might be more productive than a planned urban journey from A to B, when it comes to reconnecting with the city more intimately, heightened in a migratory context. Such a… Read more »
I love when I am working on a project that involves binaural sound with someone who hasn’t heard binaural sound before. Handing them a pair of headphones, playing them something and seeing them physically react by touching their head to make sure that the invisible electric razor buzzing near their ears isn’t really giving them… Read more »
Falling into the Story(World) Don’t you love that moment when you fall into a storyworld? The magic of storytelling relies on the power of words to create the world you visit through the act of reading or listening. Suspending your real world situation, time and space, and even your body, you transport yourself into another,… Read more »
I have worked as a dramaturg and theatre maker for over 20 years, spending my life thinking about how to create stories for audiences to lose themselves in. My professional toolbox is full of ways to develop the dramaturgy of an experience. Yet, in my new research project, I have had to put most of… Read more »
The ‘digital turn’ brings opportunities and challenges for creative writers. One of the few things we can be sure of is ongoing change. This article is about how to navigate that change. New technologies and corresponding new genres emerge apace, social media platforms and conventions morph and mutate. We can get caught out. We can’t… Read more »
Online viewing of Australian-made comedy content has emerged as a strong rival for Australian-made television. Screen Australia, the federal screen agency, has ploughed millions of dollars into the development of online content, mainly comedy, and this has been mirrored by state, and territory, based screen agencies and national broadcasters. Hit shows such as Superwog (2017-2018),… Read more »
Welcome to the fourth article in this series where we’re dissecting the multifarious entity of Digital Humanities (DH). To understand the context and scope of this series, and to consider the research questions upon which the investigation is based, please view the previous articles here, here and here. We’ll also be referring to my online survey Hands Up for… Read more »
Multiple recent digital narrative works utilise recombinant poetics. Yet such an approach to fiction is not dependent on code. Multiple examples predate the computer. In Electronic Literature (2019), Scott Rettberg argues that the study of digital literature ‘not only takes us forward to explore new horizons but also on a retrospective journey that can lead… Read more »
This is an abridged version of a keynote speech delivered at the MIX Conference 2019 With the increasing convergence between creative industries and artificial intelligence, there is an emerging misunderstanding of how the tech world sees creativity, and this is important for publishers, authors and the broader creative industries. To frame this, it is important… Read more »
Excited by the possible storytelling functions and forms that digital technology enables, I set out to foster meaningful encounters between author and audience in a digital narrative project titled We See Each Other. I had never considered the possibility of an invisible third party shaping these encounters, but they were there, ever-present and impossible to… Read more »