Everyday Stories and Creativity: Regional Queensland and Transformative Technology

,

Posted • filed under Projects.
   |   
Reading Time: 3 minutes

Australia is a big country. Queensland is a big state in a big country, one that is particularly geographically dispersed and politically fractured. It is also home to some of the poorest areas in Australia that experience many barriers to accessing for arts and cultural activities. 

Government regional arts programs have the potential to develop and deliver arts content, activities and events in and to remote, rural and regional areas that build community, develop skills and celebrate creativity. However, the reality of arts policy and programs has been vastly different to the potential. Funding is too often focused on providing one-off performances of metropolitan shows or replicas of city festivals delivered as satellite events in regional towns. Importantly, local arts organisations are under-funded and under supported to create sustainable long term arts programs.

After three years of making stories across Queensland using post it notes, pens and paper, smart phones and open source storytelling software I have learned a few things about the role of the arts in regional Queensland and the disconnect sometimes between urban and rural areas.

  1. Regional areas are filled with passionate creative people. Each town we visited had a vibrant arts culture that was part of the every-day workings of the community, and the creative events put on by locals were crucial to the fabric of the town. Libraries often function as home to the writer’s group, art group, silver smiths and pottery club. These small self-organising entities are dynamic and crucial to well-being of the town.
  2. Arts events in Roma or Bundaberg aren’t the same as arts events in Brisbane. Regional events combine different activities and different parts of the community. For example, an art exhibition might find the local gallery teaming up with the bowls club to promote the opening of the art show followed by barefoot bowls and a BBQ. The overwhelming message from regional areas was that they want to share and contribute cultural content not just receive it.
  3. Rural towns aren’t intimidated by technology. Remote communities are familiar with using new technology as part of their way of life to combat isolation. Initiatives such as School of the Air, tele and e health and robotics being deployed in agriculture mean that residents of rural areas less intimidated by digital technology than most city workshops I’ve conducted.
  4. Lastly and most importantly: regional areas do not feel heard by the cities, and the consequences of this disenfranchisement affect everyone.

In this video I discuss these issues with Matt Finch (Creative in Residence State Library Queensland) and Tyler Wellensiek (Strategic Projects Officer, Regional Access & Public Libraries) both of whom have worked extensively in remote Queensland.  We also manage to touch on Margaret Atwood’s dystopian futures and the rise of right wing populist politics in western democracies!

Dr. Donna Hancox is the Director of Research Quality in the Creative Industries Faculty at Queensland University of Technology and is a leading researcher in the theory and practice of digital writing. She has published extensively about the futures of the book and the impact of digital technology on writing, community activism and the publishing industry.  Dr Hancox is the Australian editor of The Writing Platform, and was a Leverhulme Visiting Fellow to the UK and has presented at London Book Fair and Books in Browsers San Francisco. She was named a 2017 Queensland Smithsonian Fellow. Dr. Matt Finch works with communities, companies, and institutions to help them do useful and surprising new things. Currently developing community engagement projects for the University of Southern Queensland and serving as Creative/Researcher for British Library Labs, Matt has devised everything from a season of burlesque in New Zealand’s biggest city to live zombie battles in rural Australia. He has spoken in the British & Australian Parliaments and is a regular keynote speaker at national and state events in Australia, the UK, and beyond.

Related posts

Online learning, offline: Fiction writing learning circles at Boston Public Library
Too often, education programs are expensive, hierarchical, lonely, and not particularly relevant to what people want to learn. However, it doesn’t have to be this way. In 2009, Pee...
Designing an interactive audio narrative for children
“Alexa, open The Messlins” says one of my kids out loud to the smart speaker setup in our living room. After eight months of research, design and production, I was about to witness...
Data Driven Creativity
Collecting and analysing the data we generate every day—whether it’s how much we exercise, changes in our heart rate, even how much we use our devices—have become indispensable too...
Enhanced audio stories for city wanderers
Falling into the Story(World)  Don’t you love that moment when you fall into a storyworld? The magic of storytelling relies on the  power of words to create the world you visit ...
Hands Up for Digital Humanities – Find the Gap
Welcome to the third article in this series where we’re dissecting the multifarious entity of Digital Humanities (DH). To understand the context and scope of this series, and to co...
The Challenges of HayleyWorld
Back in the late 1990s, I started trying to write a biography of William Hayley (1745-1820), man of letters, amateur doctor and champion of women’s writing, and someone whose priva...