Screenshots is a regular feature by Simon Groth, highlighting a project, app, or other resource of interest. The Library of Last Resort by Matt Finch The Library of Last Resort is a ruse. You’d be forgiven at first for thinking this is a standard text-based branching-narrative game, a multiple-choice point-and-click that harks back to thousands… Read more »
Welcome to the fourth article in this series where we’re dissecting the multifarious entity of Digital Humanities (DH). To understand the context and scope of this series, and to consider the research questions upon which the investigation is based, please view the previous articles here, here and here. We’ll also be referring to my online survey Hands Up for… Read more »
Where Is The Bird? is the first augmented reality storybook to promote British Sign Language as a language for deaf and hearing children alike. Combining animated Augmented Reality (AR), video and audio with traditional print media, it endeavours to create an immersive multimedia storybook. By turning the pages the reader can find and ‘awaken’ magical… Read more »
Paper Nations, a South West England-based creative writing incubator dedicated to diversity and innovation, has commissioned three writers with links to the region to develop exciting and experimental writing projects that use smartphone technologies to tell immersive stories. Led by Bambo Soyinka, Professor of Story at Bath Spa University, Paper Nations promotes collaboration across all… Read more »
Democracy is starting to feel uncomfortable. In 2016, we saw the rise of the ‘silent majority’ with Trump, Brexit, and the return of One Nation. In the most recent Australian election, all of our polling was proven wrong with another surprise victory going to the major right-wing party. It doesn’t matter how often this same… Read more »
This is an article about an augmented reality practice-based research project, The Fantasia Express, commissioned by the UK Department for Transport through an InnovateUK competition. And about how a non-writer tried to create a story around a train journey from London to Edinburgh. I am an artist who specialises in technology-driven public realm work that… Read more »
It can be scary to look back sometimes, almost like a fear of heights. It’s six years ago (six years!) that I first started thinking about the project that was just released in the iOS App Store. A lot has happened in those years. All of it helped my meditative reading app ‘Lotus’ take… Read more »
I set out to make ‘A dictionary of the revolution’ in 2013. I planned to record conversations with different people, asking them to define words I heard people using to talk about politics in Egypt. Then I’d use transcriptions of their speech to create entries in a subversive ‘dictionary’ that tries to represent language as… Read more »
There is sand in the motors and in the corners of my eyes. The few notes I’ve made are smudged with rain and when my fingers become too cold, I sacrifice writing for the shelter of my coat pockets. For the last few months I’ve been writing on, into and with the muddy sands of… Read more »
When I first began writing my short story ‘Rupture’, I didn’t intend to work with artists I’d never met to produce a piece incorporating animated visuals and sound; this collaborative process came about as the project evolved. Initially, I had the fundamental elements of a primarily print-based work: I tapped into an omniscient narrator who… Read more »