Writing with Technologies Webinar Series Returns
From generative writing tools to augmented publishing processes, artificial intelligence is rapidly changing and challenging the landscape of creative writing and publishing. This free four-part webinar series, the second series of webinars from MyWorld and Bath Spa University’s Centre for Cultural and Creative Industries (CCCI) and Narrative and Emerging Technologies (NET) Lab, offers an in-depth look at AI’s emerging influence across writing and publishing in multiple fields. Featuring talks from writers, creators, academics, publishing professionals and AI experts, the series will explore questions such as:
- How might AI impact the craft of writing?
- How is AI reshaping the landscape of creativity?
- How can AI transform game development and player experience?
- How can AI help screenwriters to develop complex character and dialogue?
We hope to inspire lively debate and a sharing of ideas and there will be time for questions and discussions. All four webinars in the series are free to attend.
Webinar 1: AI and Creative Writing Practice
Tuesday 19th November 9AM -10AM (GMT)
From generative writing tools to augmented publishing processes, artificial intelligence is rapidly changing and challenging the landscape of creative writing and publishing. This free four-part webinar series, the second series of webinars from MyWorld and Bath Spa University’s Centre for Cultural and Creative Industries (CCCI) and Narrative and Emerging Technologies (NET) Lab, offers an in-depth look at AI’s emerging influence across writing and publishing in multiple fields.
Join writers James Bradley, Yudhanjaya Wijeratne and Mujie Li to explore the impact of artificial intelligence on the craft of writing. We will discuss how AI tools can enhance the creative process through the practical applications of AI in research, editing and idea generation. We will explore ethical considerations, copyright issues and the environmental impact of AI tools as well as the limitations of AI for capturing human emotion and nuance and the risk of losing our unique voices. Presented in collaboration with the University of Adelaide and chaired by Professor Patrick Flanery.
Book now: https://www.ticketsource.co.uk/thestudiobathspa/t-vvamxol
A recording of the webinar will be sent to everyone registered.
Speakers:
Dr James Bradley OAM is a writer and critic. His books include the novels Wrack, The Deep Field, The Resurrectionist, Clade and Ghost Species, a book of poetry, Paper Nautilus, and a work of non-fiction, Deep Water: The World in the Ocean. He is currently an Honorary Associate at the Sydney Environment Institute at the University of Sydney, and his new novel, Landfall, will be published in 2025.
Yudhanjaya Wijeratne is an author, data scientist and journalist from Sri Lanka. He is also the co-founder and Editor-in-Chief of Watchdog Sri Lanka, a factchecker, investigative journalism hub and community tech builder. His fiction includes novels like Numbercaste, the Wretched and the Damned, and The Salvage Crew, as well as short stories and the occasional bit of game design. His work has won the Gratiean Prize, been nominated for the Nebula and Independent Games Festival awards, appeared in venues like Wired, ForeignPolicy and Slate, and been Washington Post and Audible bestsellers. He has also shown up on Forbes’ 30 Under 30, been a Dangerous Speech fellow, and spoken at TEDx. He has several cats who care about none of these things and spends most of his time on his homestead in the mountains, learning the care and feeding of potato plants.
Mujie Li is an experimental writer and a researcher of digital media and culture. Her research explores how literary aspects (such as writing, reading, text and language) in digital and computational technological conditions work together to shape digital aesthetics. She is the author of the novella Mirage Time (2017, published by Dostoyevsky Wannabe). Recent article: ‘Media Language and the Technological Imaginary’ (2024).
Chair:
Dr Patrick Flanery is Chair and Professor in Creative Writing at the University of Adelaide. He is the author of the novels Night for Day, I Am No One, Fallen Land, and Absolution, which was shortlisted for the International IMPAC Dublin Literary Award and the Royal Society of Literature’s Ondaatje Prize. His short fiction has appeared in Granta and Zoetrope: All Story. His work has been supported by fellowships at MacDowell, the Rockefeller Foundation’s Bellagio Center, the Santa Maddalena Foundation, and the Stellenbosch Institute for Advanced Study.
Related posts
Paper Nations, a South West England-based creative writing incubator dedicated to diversity and innovation, has commissioned three writers with links to the region to develop excit...
Think of a song or piece of music that is important to you. What happens when you hear it? Does it take you somewhere else and bring you back? Are you saddened by it? Does it trans...
What makes a city the kind of place where you can grow older and be an older person? No Bindings is collaborating with Bristol Ageing Better (BAB) to explore the possible answer...
Storyjacker.net is an online story-writing game collection that is opening to the public. To celebrate its launch, Storyjacker is inviting established and aspiring authors to parti...
Collecting and analysing the data we generate every day—whether it’s how much we exercise, changes in our heart rate, even how much we use our devices—have become indispensable too...