There was nowhere to park. As if it wasn’t daunting enough to throw myself into the alien world of tech-heads and program-people, now I was late. I found the Loft – a boutique entertainment venue on Plymouth Sutton Harbour – and launched myself up the stairs, down a deserted corridor and towards the sound of… Read more »
Origins The Poetry Map has its origins in a feature on Facebook’s homepage by which users could list countries they had visited and see these appear as pins on a map. While this was a good way of ‘showing off’, it also got me thinking about the places I had lived in the course of… Read more »
We’ve been working with The London School of Economics’ Impact blog to explain the findings of our user research into academic writing. Over January and February this year, we interviewed 23 scholars across the world to help us get a better understanding of how they write — the practices they adopt, the processes they use and the… Read more »
Syringes And Walls And Foundations It’s December, midway through my Fulbright year in Bergen, Norway. My wife, digital artist Alinta Krauth and I live on the third floor of a mansion. It’s a stately building landed on a high hump between mountains and waterways and owned by the University of Bergen. The building is, like… Read more »
It’s been an exciting year for digital fiction: we saw a major work emerge in the mainstream, for the mainstream, and turn into a viral hit – Jon Bois’s 17776: What Football Will Look Like in the Future. The mobile digital fiction platform oolipo was launched, and Dreaming Methods and Mez Breeze’s All the Delicate… Read more »
In the Summer of 2017, I have found myself in the novel position of teaching a drone to write poetry. Such endeavours invariably have a story behind them, and this article will offer a short background on how my practice-led approach towards research has resulted in this latest project—which, at a still nascent stage of… Read more »
The virtual reality (VR) showcase held behind the festival main stage felt like a scene from William Gibson’s prophetic novel Neuromancer. In the dimly lit digital den filled with trendy twenty-somethings, attendees waited in line to hack their minds with headgear displaying digital fantasies. This scene is becoming increasingly more frequent around the world, whether at… Read more »
Can we shape a digital literary form using the world around us? What happens to literature when a reader is mobile and engaged in a narrative both spatially and temporally? How can a writer use ubiquitous computing, available using a smartphone, to situate readers in a literary work? Such questions brought together researchers from three… Read more »
“[…] the special dialectic of the love letter, both blank (encoded) and expressive (charged with longing to signify desire)” (Barthes, p. 157) I am a performance practitioner and researcher, interested in archives, personal collections, and spoken histories. My work is immersive and allows for audience participation through using audience stories as the main focus of… Read more »
The Editors of The Writing Platform encourage submission of short academic research papers that are accessible to a more general audience of writers and artists. These papers can be about creative practice, and practice-based research across a broad range of subject areas. If you are interested in submitting a paper for us to consider for… Read more »