Reading Time: 5 minutes The ‘digital turn’ brings opportunities and challenges for creative writers. One of the few things we can be sure of is ongoing change. This article is about how to navigate that change. New technologies and corresponding new genres emerge apace, social media platforms and conventions morph and mutate. We can get caught out. We can’t… Read more »
Reading Time: 6 minutes When writers discuss plot and pacing in narrative craft, especially in creative writing classes, we often talk about the curve of stories, the rise and fall in tension that characterises the most common story structures. Now usually, at least in my experience, that curve is not something a writer actively thinks about while composing a… Read more »
Reading Time: < 1 minute Screenshots is a regular feature by Simon Groth, highlighting a project, app, or other resource of interest. Core Values by Benjamin Laird Shortlisted for the QUT Digital Literature Award, Core Values is a response to the iconic Australian poem My Country, by Dorothea Mackellar. Updating the original text, it uses technology to not only animate language… Read more »
Reading Time: 7 minutes Since taking on my role in the team building the Digital Literary Atlas of Wales, I’ve been lucky enough to visit some spectacularly uninteresting places: motorway service stations, forgettable B&Bs, generic fast food outlets, characterless pubs. I’ve spent countless hours in my battered little blue car, crawling behind tractors on snaking mid-Welsh B-roads, swearing loudly… Read more »
Reading Time: 2 minutes The first ever UK competition to find the best new examples of popular digital fiction has been launched by Sheffield Hallam University and Bangor University. The Opening Up Digital Fiction Writing Competition, run by Sheffield Hallam University and Bangor University, and part of the AHRC-funded Reading Digital Fiction project, is inviting entries from people across… Read more »
Reading Time: 5 minutes In 2014, we decided to set up digital platform for the young people of Bristol. As part of a talent development programme and as a magazine to amplify young exciting voices in the city, we wanted to see if we could affect positive change among young people. It would be called Rife Magazine. Rife meaning… Read more »
Reading Time: 5 minutes It’s a little tricky trying to recall just how ‘The Kills‘ developed. The books were pitched as a series of inter-related novels, and in the first discussion with publisher Paul Baggaley and editor Kris Doyle, it became obvious that Picador, if they took on the project, would want to do more than publish the novel… Read more »
Reading Time: < 1 minute PhD Studentships for practice-based digital creative writing, writing for games, and transmedia at Bath Spa University Bath Spa University has a very strong creative writing PhD programme (both campus based and low residency). With the Sept 2012 professorial appointments of Kate Pullinger and Naomi Alderman, the university is rapidly increasing the presence of digital literature,… Read more »
Reading Time: < 1 minute Writer Kate Pullinger, Editor of The Writing Platform, is also a professor at Bath Spa University, co-sponsors of The Writing Platform. At Bath Spa, Pullinger runs a series of lunchtime talks, aimed at all the postgraduate writing students who study at the Corsham Court Campus. These talks, Digital Corsham, are given by writers, academics, publishers,… Read more »
Reading Time: < 1 minute Following the success of the MIX DIGITAL Conference 2012, The Writing Platform is partnering with Bath Spa University to co-host a second MIX Conference this July. The three-day series of events will take place at Bath Spa University’s Corsham Court campus, a Grade One-listed Jacobean mansion in the bucolic Wiltshire landscape. Day Three of the… Read more »